We believe that all cultural, historical and natural heritage, wherever they are should be preserved. LEARN MORE
Archives

Persian Artifact Returned to Iran

cup

 

As reported by CNN, and announced by the US State Department a 2,700 year-old Persian artifact has been returned to Iran.  In a tweet the US State Department announced the return of a silver chalice, the ancient Persian artifact to its homeland. The ceremonial drinking vessel or rhyton was confiscated in a U.S. customs warehouse many years ago. The chalice had been in New York since 2003, when an art dealer smuggled it into the country from Iran.  Customs officials have long wanted to return the rhyton to Iran, according to a New York Post report. But decades of bad diplomatic relations between Tehran and Washington made it impossible.

 

The decision to return the artifact came after President Obama called the Iranian President, Hassan Rouhani, as he was on his way to the airport in NYC and returning to Iran after the UN meetings.  The rhyton, which takes the shape of a mythical beast with the body of a lion and the head of a bird of prey, was fashioned in the Achaemenid era, the early Persian Empire, around 700 BC. The U.S. officials handed it off directly to the Iranian delegation, who BBC reports have already met with officials from New York’s Metropolitan Museum of Art about potential exhibitions of Iranian artifacts.  It is still not clear if Iran will ever put more restrictive measures in place in order to stop the smuggling of Persian artifacts out of Iran.

World Habitat Day

World-Habitat-DayThe United Nations’ (UN) World Habitat Day is annually celebrated on the first Monday of October to reflect on the state of human settlements and people’s right to sufficient shelter. It also aims to remind people that they are responsible for the habitat of future next generations.

World Habitat Day reflects on the state of human settlements and promotes the right to sufficient shelter.

What do people do?

World Habitat Day is celebrated in many countries around the world, including in places such as Angola, China, India, Mexico, Poland, Uganda and the United States. Various activities around the world are organized to examine the problems of rapid urbanization and its impact on the environment and human poverty.  Activities may include awards ceremonies, including the “Habitat Scroll of Honour” award.

Public life

World Habitat Day is a global observance and not a public holiday.

Background

The UN’s World Habitat Day was first celebrated in 1986 with the theme “Shelter is My Right”. Nairobi was allocated as the host city for the observance that year. This annual event is held on the first Monday of October with a new theme each year. Previous themes included: “Shelter for the Homeless” (1987); “Our Neighbourhood” (1995); “Future Cities” (1997); “Safer Cities” (1998); “Women in Urban Governance” (2000); “Cities without Slums” (2001) and “Water and Sanitation for Cities” (2003).

An important highlight of the day is the “Habitat Scroll of Honour” award, which was launched by the United Nations Human Settlements Programme (UNHSP) in 1989. It is believed to be the world’s most prestigious human settlements award and aims to acknowledge initiatives that make outstanding contributions in areas such as shelter provision, highlighting the plight of the homeless, leadership in post conflict reconstruction, and developing and improving the human settlements and the quality of urban life.

Symbols

The UNHSP logo and slogan are often associated with World Habitat Day. The logo features The logo features a wreath consisting of crossed conventionalized branches of an olive tree encapsulating a circle. Within the circle is a figure of a person with his/her arms stretched out. The figure appears to be standing in front of a triangle. Underneath the image are the words “UN-HABITAT”. The slogan: “Shelter For All” is written in capital letters and sometimes appears next to the logo.

Nanotechnology Helping to Restore Pompeii

Pompeii_Garden_of_the_Fugitives_It is not a big surprise that modern buildings are designed to have a lifespan of a few decades. However, we would like archeological sites like Pompeii, to stand the test of time and be preserved for future generations. With the greatest number of UNESCO world heritage sites, Italy has long worried about how to protect its heritage sites from ruin and now the country is going to rely on the latest technology.

Italy has now started a  €105 mil wide-ranging rescue project in February which is also jointly funded by the European Union and a new director general for the “Great Pompeii project” has been appointed. The goal is to carry out sweeping restoration works and boost visitor numbers by 300,000 to 2.6 million a year by 2017.

The researchers participating in the Pompeii Sustainable Preservation Project intend to concentrate on one of Pompeii’s apartment buildings, known as an insula. From 2014, they will embark on an ambitious conservation program, taking in everything from elaborate murals to the smallest wall. The researchers will use nanotechnology to make the lime more fluid, thus stabilizing the frescos through backfilling. The experts intend to conserve the topmost layer of the paintings using lime and silicon compounds.  Researchers from various disciplines will be working alongside restoration experts and archeologists in the Pompeii Sustainable Preservation Project. The ancient city will be accurately surveyed both on the ground and through aerial photographs.

The key partners in the Pompeii Sustainable Preservation Project are Technische Universität München (Chair of Restoration, Art Technology and Science of Conservation), Fraunhofer-Gesellschaft (Fraunhofer Institute for Building Physics), and the International Center for the Study of the Preservation and Restoration of Cultural Property (ICCROM), which is attached to UNESCO. These institutions will be assisted by the Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei and the Istituto Superiore per la Conservazione ed il Restauro, which is a body of the Italian Ministry of Cultural Heritage. The University of Oxford’s School of Geography and the Environment, the Department of Ancient History at Ludwig Maximilian University in Munich, the German Archeological Institute (DAI) in Rome, the University of Pisa and the Istituto per i Beni Archeologici e Monumentali of the Consiglio Nazionale delle Ricerche (CNR) are supporting the project as research partners.

http://www.tum.de/nc/en/about-tum/news/press-releases/short/article/31030/

Nanotechnology Helping Cultural Heritage

Helping and Promoting Nanoscience and Nanotechnology Education: From Centre for Pharmaceutical Nanotechnology and Nanotoxicology, NanoScience Center, University of Copenhagen, Copenhagen, Denmark

A nanometer is 1000 million (one billion) times smaller than the world of meters. To put this in perspective, a stack of one billion Dollars bills would reach over 63 miles high. For comparison, a Boeing 747 airliner typically operates at an altitude of 35,000 feet or approximately 6 miles. Now imagine, you are sitting 63 miles high above and looking for a Dollar bill on the ground. The one Dollar bill is the nanometer scale.

By zooming into the nanoscale, we can study how the matter actually works. By understanding the science of nano we can make objects at this incredibly small scale and solve many problems; this is called nanotechnology. Interesting things happen at the nanoscale. Materials and substances behave differently and show strange chemical and physical properties compared with their larger-particle kin. This incredibly low scale allows for unique interactions among atoms and their constituent parts and opening the path for the materials of the future. For example, carbon, as in graphite, is soft and brittle, but becomes very hard and shows many other unique properties at nanoscale in an arrangement called a nanotube with many applications spanning electronics, textile industry, construction industry and medicine. Another example is gold, an unreactive metal, which becomes chemically reactive at nanoscale.

It is not surprising that nanotechnology is radically transforming every part of our daily lives and world economies. One is being the conservation and restoration of cultural heritage and treasures. Cleaning and preservation of artworks is a complex and challenging task since a wide range of materials has been used to construct an art piece. Accordingly, applied methodologies must ensure maximum durability, chemical inertness, and compatibility with artefacts’ materials. Indeed, nanotechnology has offered unprecedented solutions for restoration of Renaissance masterpieces, old books, wall paintings and frescoes and other objects. Examples include Masaccio’s wall paintings in Cappella Brancacci, Beato Angelico’s wall paintings in San Marco Abbey, cave murals of the Basilica of Annunciation in Nazareth, and consolidation of the murals of the archaeological site of Calakmul, Mayapan and other regions of Mexico. So how does the nanoscience of art restoration work?

 

Consolidation and protection of the wall paintings and limestone

Slaked lime (calcium hydroxide) was often used as a binder in wall paintings and frescoes. The size of ordinary calcium hydroxide particles is very large and when applied to artefacts it leaves a white glaze over. Instead, calcium hydroxide nanoparticles are now being used as effective agents in wall painting restoration. Because of their very small size, these nanoparticles penetrate the painted surface layers better and have superior optical properties over ordinary large-sized calcium hydroxide particles. Indeed, calcium hydroxide nanoparticles do not leave visual residues on wall paintings and frescoes after application.

fresco

Wall paintings of Masaccio’s in Cappella Brancacci (left column) and Beato Angelico in San Marco Abbey (right column), Florence, Italy, before and after nanoparticle technology treatment

 

Preservation of paper and wood artefacts

Acidity causes degradation of the artefact. Nanoparticles are also helping to de-acidify paper and wood artefacts and diminish acid formation. For example, the wood in the Swedish Vasa Warship, sank during its maiden voyage in 1628, shows high acidity, due to oxidation of sulfur inside cellulose fibers. This generates sulfuric acid, which threatens the preservation of Vasa. Magnesium and calcium hydroxide nanoparticles have offered simple and cost-effective ways to fight sulphuric acid in the wood, which can be applied by either brushing, spraying or immersing the object in the nanoparticle suspension. The nanoscale size improves material spreading and penetration, and enhances reactivity (deacidification). Here, magnesium hydroxide generates magnesium carbonates on exposure to the carbon dioxide in air. Similarly, same type of treatments, and the generated magnesium carbonate, reduces the rate of oxidative degradation of cellulose in paper, caused by light irradiation, thereby enhancing preservation of old paper documents.

 

Cleaning of art-work

Since 1960’s polymeric resins have been used for coating and protection of canvas paintings. Unfortunately, these coatings generated a yellow tinge to artefacts. Also, once the polymer resins aged, they lost their chemical and mechanical properties resulting in further damage to the paintings. One such example is a coating material called Paraloid B37, which has been very difficult to remove from the surface of treated artefacts. Here, nanotechnology has offered another remarkable solution. Scientists have designed a lightweight nano-magnetic sponge/gel, which can be loaded with safe chemicals that can draw the material to be removed from the artefact surface. Since nanomagnetic particles have superior magnetic properties compared with its bulk material, the gel can easily be removed at distance with a permanent magnet without touching. The ‘magnetic sponge’ can also be cut and shaped for application to sculptures, thus offering flexibility in the cleaning and preservation processes of many artefacts.

 

Ongoing advances

Silver nanoparticles embedded in polymeric resins exhibit antibacterial and optical properties, which are also receiving attention for preservation and protection of cultural heritage.

 

Another interesting approach is ‘atomic layer deposition’, which creates a transparent metal oxide films that can be applied to an artefact (such as silverware) and reduce the rate of corrosion.

 

 

 

Scholarly readings:

P. Baglioni, G. Rodorico (2006) Soft and hard nanomaterials for restoration and conservation of cultural heritage. Soft Matter 2, 293–303.

M. Baglioni, D. Rengstl, D. Berti, M. Bonini, R. Giorgi, P. Baglioni (2010) Removal of acrylic coatings from works of art by means of nanofluids: understanding the mechanism at the nanoscale. Nanoscale 2, 1723–1732.

Further Links:

http://archive.org/details/ScienceNationsilverSaver-NanotechnologyKeepsTheShineOnSilver

 

http://www.nanoforart.eu/

 

Thousands of Persian Cultural Heritage Documents Missing

scroll-590x312

Forty-seven thousand books, documents and maps relating to ancient monuments, along with thousands of pieces of historic photographs, documents and handmade historical artifacts from the Center of Cultural Heritage have disappeared as one of the former employees of the center has reported to WCHV.  

 

Reportedly, the missing documents were ordered to be transferred to Shiraz, a city in Fars Province, Iran.  According to the reports, only one of the center’s staff actually traveled with the documents to Shiraz.In addition (as reported), it looks like that the irresponsible mishandling of the situation by the staff of the Islamic Republic of Iran’s Cultural Heritage Organization has resulted in worsening the situation.  

 

What is most disturbing is that many of the missing books and documents were not even digitally recorded and did not contain barcodes, therefore making it impossible to determine which books and documents have now been lost.

International Day of Peace

a-day-for-peace-
The International Day of Peace is celebrated on September 21, 2014. It is also known as the World Peace Day and occurs annually on September 21. The day is dedicated to peace, and specifically the absence of war, such as might be occasioned by a temporary ceasefire in a combat zone. The World Peace Day was declared by the United Nations (UN) in 1981. Since then it is observed by many nations, political groups, military groups, and peoples.

 

To inaugurate the International Day of Peace, the “Peace Bell” is rung at UN Headquarters. The bell is cast from coins donated by children from all continents. It was given as a gift by the United Nations Association of Japan, and is referred to as “a reminder of the human cost of war.” The inscription on its side reads: “Long live absolute world peace.” Individuals can also wear White Peace Doves on this day to commemorate the International Day of Peace, which are badges in the shape of a dove produced by anon-profit in Canada.

 

Peace is a state of harmony characterized by the lack of violent conflict. Commonly understood as the absence of hostility, peace also suggests the existence of healthy or newly healed interpersonal or international relationships, prosperity in matters of social or economic welfare, the establishment of equality, and a working political order that serves the true interests of all. In international relations, peacetime is not only the absence of war or conflict, but also the presence of cultural and economic understanding and unity

Happy Anniversary to the “Committee” that Saved Pasargad

tazahorat-sad-sivandPasargad is a UNESCO recognized historical world heritage site. The Pasargad complex contains the mausoleum of Cyrus the Great, the founder and the ruler of the Persian Empire. The decree of the Cyrus’s Cylinder was issued by the Persian Emperor, which has been recognized by the United Nations as the first Human Rights Charter.

In August 2004, Pasargad complex and the adjacent historical sites were endangered due jonbesh-farhangi1to construction of a nearby dam. In response, thousands of individuals including many artists, writer, intellectuals and human right activist from all over the world, initiated the creation of The Committee for Saving Pasargad. The Committee was successful in slowing the completion of the dam with the help of many supporters of the committee, thus saving many important sites including the Pasargad complex. However, the Bolaghi Gorge and its adjacent plain which was the site of ancient factories, palaces and houses, together with many artifacts were submerged and destroyed. 

To learn more go to About US

Aborigines Ask to be included in Australia’s Heritage

australia

As recently reported Aborigines have claimed that Australia’s cultural heritage recognition has been greatly dominated by the country’s colonial past.  Earlier this year, UNESCO recognized and designated a number of sites in Australia as “outstanding universal value”.  Among the sites added to the World Heritage List this year are Sydney’s 19th century Hyde Park Barracks and Tasmania’s Port Arthur penal settlement.

The move has actually outraged Aboriginal activists, who have claimed that their own cultural heritage is in danger of being destroyed since the sites are also in need of protection and that very few of their sites have been nominated by the Australian government.  The activists also claim that this suggests a strong ethnocentric bias towards everything Anglo-Saxon and a prejudice or ignorance about the Aboriginal past and a lack of understanding of its value to the county’s history.

It has also been reported that Aborigines representatives wrote to UNESCO calling on it to deny approval to the “white Australian sites” while the country’s indigenous heritage was in danger of extinction.  But, when UNESCO released the list, it said that the sites were the best surviving examples of large-scale convict transportation and the colonial expansion of European powers through the presence and labor of prisoners and that they deserved to be conserved while sites like 20,000-year-old rock art in the Northern Territory, a recently-discovered treasure trove of ancient artifacts outside Hobart and scarred trees in New South Wales, which were used by indigenous tribes during coming of age ceremonies have not been recognized or listed.

Australia’s activists believe that the lack of Aboriginal sites on the list could be blamed on the fact that there were no indigenous members of Parliaments (MPs) in federal parliament and no indigenous people on the board that decides on the country’s UNESCO nominations as reported by the Telegraph.

Maya Carvings Found in Guatemala

maya1

When Maya archaeologist Francisco Estrada-Belli and his team accidentally found an enormous frieze which measures nearly 26 feet by 7 feet in a tunnel in Guatemala, they realized that they had found one of the best preserved examples of its kind.  The looters had come close to it but had not seen it. The frieze which was discovered last month (July 2013) in the buried foundations of a rectangular pyramid in Holmul is so amazingly preserved that only a small corner of it shows any damage.  In fact, despite being mostly faded away now, traces of red, blue, green, and yellow paint are still visible on the frieze.

As described in The National Geographic Magazine the section of the temple at Holmul where the frieze was found dates back to about A.D. 590, which corresponds to the Maya classical era, a period defined by the power struggles between two major Maya dynasties: Tikal and Kaanul.  The two kingdoms competed with one another for resources and for control of other, smaller Maya city-states. An inscription on the newly discovered frieze reveals that the temple was commissioned by Ajwosaj, ruler of a neighboring city-state called Naranjo, which archaeologists know from other discoveries was a vassal city of the Kaanul kingdom.

The excavations at Holmul were supported by the National Geographic Society/Waitt Grants Program and the findings were reported in the National Geographic magazine.

The Cyrus the Great Symphonic Suite Honors Cyrus Cylinder Visit

Cyrus12

One of the most iconic objects from the ancient world, the Cyrus Cylinder is widely considered a symbol of multiculturalism, tolerance, and human rights. Cyrus the Great, founder of the expansive Persian Achaemenid dynasty, had the Cylinder created to formally mark the establishment of Persian rule over Babylon in 539 BCE.

 This year, the Cylinder began its first tour of the United States, and it will be on view at the Asian Art Museum along with a number of related objects from ancient Persia. Asia Society Northern California is pleased to partner with the Asian Art Museum on the exhibition’s opening day of August to host a panel discussion on the Cylinder’s historical context.

 LorisTo honor the Cylinder’s visit to the city of San Francisco, Maestro Loris Tjeknavorian conducted The Cyrus the Great Symphonic Suite during its visit to the city.   Mr. Tjeknavorian composed the first version of King Cyrus Symphonic Suite in 1972 for the 2500th anniversary celebration of the Iranian empire.  It was performed in the presence of kings, queens and heads of state from across the world at the ancient Persian city of Persepolis.  A few years ago, he revised and expanded the composition into a symphonic suite in three movements portraying important episodes in the life of Cyrus the Great based on the writings of Greek historians Herodotus and Xenophon.

 Additional photos contributed by Deniz Hazegh:

Cyrus11Cyrus5Cyrus13Cyrus10 Cyrus9Cyrus8 Cyrus7 Cyrus6Cyrus4 Cyrus3 Cyrus2 Cyrus1